A little while ago I was contacted by a new to me company called Fashion Formula, who offer a custom digital printing service onto fabrics, wallpaper, gift wrap, cushions, aprons and tea towels. This was a completely new experience for me, and I am very grateful to Fashion Formula for allowing me to select a fabric and print of my choice for this project. The fabric was provided at no cost to me, but as ever, the opinions expressed in this review are my own.
Initially, I did toy with the idea of uploading a design of my own creation, using one of my watercolour paintings. But, I really wasn’t confident about getting the repeat on the fabric right, so in the end I perused their almost 1,500 fabric designs and selected this one, Asian Inspiration, by Botal. There are some stunning designs to choose from (already, since I selected I can see there are new designs which I love), and the only thing I would say you need to be wary of, if you are selecting a print for garment fabric, is check the scale of the design (all information is provided on the website), and make sure you are happy with that aspect. The website itself is well designed and easy to navigate and you are provided with a preview of the length of fabric you require so you get to see how the print falls across the entire length.
There are more than 40 different fabric options to print onto, including, twill, denim, velvet, scuba, poplin, sateen, bamboo, chiffon, organza, ITY jersey, various crepes, georgette, lining fabrics and organic cotton panama. Again, some of these options were introduced after I made my selection, but in the end, I decided to go for heavy satin. Why? I had a vision of making a skirt using Vogue 8882 which I had in my stash, and I have never come across heavy printed satin to purchase before. I can confirm that this fabric went through a hot 60 degree pre-wash and the colours did not fade or streak and the fabric was easy to cut, sew and press. Overall, I am really happy with my experience of using Fashion Formula and I would definitely consider using them again.
- Cut a size 14 (2 sizes smaller than usual)
- Did a 0.5 inch FBA, rotating the dart back into the side seam
- Cut off at the waist and added a 4 inch deep waistband
- Cut off just below the elbow and added a 3 inch deep band
- Added a neckband
- Removed 0.25 inches from length at back before adding waistband
Initially, when I tried the sweater on, I really wasn’t too comfortable with how close fitting it is. But, after a lot of Instagram support, I have decided I do actually like it, and I wore it all day yesterday with a denim skirt.
Vogue 8882 Pattern Review
The main review is below, but I just wanted to point out the major issue I had with this skirt, which was in relation to the hemming. So, at least for view B, pattern pieces are included for you to cut nice deep hem facings, which are interfaced. The suggested hem interfacings are crinoline (like finding hens teeth in these parts) or buckram (duly ordered). I have used horse hair braid before very successfully (see here), and given the choice, if making this skirt again, I would probably use the horse hair braid. But, I followed the Vogue instructions and, boy, what a mess the buckram made! You can see the mess here. In the end, I cut the hot mess right off, and used a satin bias binding facing to finish the hem. It was neat and easy to do. I have since found out that buckram is usally only recommended for bag making etc. Why Vogue recommend it is beyond me, unless it comes in different weights?
Flared skirt (cut on crosswise grain) has waistband, pleats and back zipper. A, B, D: Interfaced hemline. C: Contrast waistband. D: Attached tie ends. E: High-low hemline, wrong side shows. C, E, F: Narrow hem.
I made view B.
Note that this skirt is cut on the cross grain.
6 – 22
Did it look like the photo/drawing on the pattern envelope once you were done sewing with it?
Were the instructions easy to follow?
Yes. I DID NOT like the suggestion to use buckram for the hem interfacing – see below.
What did you particularly like or dislike about the pattern?
I actually really do like the finished skirt shape. I think it’s quite easy to wear and flattering. I REALLY DISLIKE the suggestion to use buckram as the hem interfacing.
So, at least for view B, pattern pieces are included for you to cut nice deep hem facings, which are interfaced. The suggested hem interfacings are crinoline (like finding hens teeth in these parts) or buckram (duly ordered). I have used horse hair braid before very successfully, and given the choice, if making this skirt again, I would probably use the horse hair braid. But, I followed the Vogue instructions and, boy, what a mess the buckram made! You can see the mess here. In the end, I cut the hot mess right off, and used a satin bias binding facing to finish the hem. It was neat and easy to do.
A custom printed heavy satin from Fashion Formula, based in the UK.
Pattern alterations or any design changes you made:
Absolutely no alterations made. If I was making this skirt again I would reduce the height of the waistband by about 5/8ths inch – it’s a little too high for me. I did substitute an invisible zip in as the back closure.
Would you sew it again? Would you recommend it to others?
I might sew it again. I do recommend – its a pretty easy sew – just don’t go near the buckram.
I am glad to have this skirt in my closet because I think I can dress it up or down and it’s a perfect colour for spring.
At the beginning of May, after a career break of 5 years, I am returning to my former job as a project manager in the field of Animal Health Pharmaceuticals (3 days a week). So, blogging and sewing may slow down somewhat, and perhaps, stylewise, I may sew different things? Who knows. What I do know is I am too addicted to sewing to give up altogether. Here’s looking forward to a new phase in life! Happy Easter and happy sewing.